Defending My Country
The Washington Post has a review up of Brad Paisley’s newest album. The review itself is pretty positive, but it starts out by bashing country music as a whole:
Country music has always had something of an image problem, particularly among people who fancy themselves as progressives. Immigrant-trashing, gay-bashing, race-baiting, women-hating songs aren’t hard to find in the country catalogue. Heck, sometimes you can find them all on a single album.
Many of my friends don’t like country music much. My wife doesn’t like it, for that matter. I grew up listening to it, but I (mostly) quit several years ago when it seemed that new artists whose styles I didn’t like (e.g., Big & Rich, Gretchen Wilson) were being played nonstop on the radio. My faith was becoming more and more important to me, just as (it seemed to me, at least) the music I was listening to was becoming less and less edifying (and it wasn’t all that edifying to begin with). Still, the accusation here seems false to me.
It’s true that you can go through the catalogue of country music and probably find all of the things that Mr. Heim mentions at the beginning of this piece, but I’d wager that’s true of any musical genre. Is it truer of country than other music? I suspect that it isn’t. When talking it over, I really couldn’t come up with any songs off the top of my head that fit any of these groups, with the possible exception of a line in A Good Way To Get on My Bad Side that says, “A little sissy in a cowboy hat ain’t country,” but my wife and I both believe that assigning that to “gay bashing” is a bit of a stretch (her take was that it had more to do with country performers who didn’t have enough “Cowboy Cred”).
After thinking about this for a while, I decided to do a decidedly unscientific experiment. My original thought was to sample the music on the radio on our way to and from church[a], but after discussing it with my wife, she suggested that I just look at the top songs for the last few weeks or months instead (that way, I could check the lyrics online, and she didn’t have to listen to country music). Here’s what I found at the top of the Country charts:
- Out Last Night, Kenny Chesney
- Whatever It Is, Zac Brown Band
- Sideways, Dierks Bentley
- Then, Brad Paisley
- Kiss a Girl, Keith Urban
- I Run to You, Lady Antebellum
- People are Crazy, Billy Currington
- You Belong With Me, Taylor Swift
- Alright, Darius Rucker
- Lost You Anyway, Toby Keith
I tried to be as harsh as I could on these songs, but the only ones I could really put in any of the categories that Mr. Heim mentions are the ones that talk about being out drinking and admiring the women who’re there, such as Out Last Night or Sideways (or talking about women while out drinking, as in People Are Crazy), and that’s a huge stretch.
Next, I checked out the Mainstream Top Ten
- Boom Boom Pow, The Black Eyed Peas
- Halo, Beyonce
- Don’t Trust Me, 3Oh!3
- Second Chance, Shinedown
- I Know You Want Me, Pitbull
- The Climb, Miley Cyrus
- LoveGame, Lady Gaga
- I Do Not Hook Up, Kelly Clarkson
- Waking Up In Vegas, Katy Perry
- Please Don’t Leave Me, Pink
Again, picking any of these songs as fitting any of the criteria that are listed above is a bit of a stretch, but not as much as one as for the country music. The 3Oh!3 song, Don’t Trust Me, repeats lines that are pretty insulting to women, much more so than the admiring language used in the country songs listed above. The same is true for I Know You Want Me by Pitbull. The Lady Gaga song, LoveGame, isn’t so much misogynistic but it is crude and trivializes sex.
The only conclusion I can reach from this (admittedly small) sample is that country music is no more susceptible to “Immigrant-trashing, gay-bashing, race-baiting, [or] women-hating” than any other genre of music. The image problem that it has among “people who fancy themselves as progressives” is not because of any fault of the music itself, but that those “progressives” have a tendency to believe that it’s wrong for us to judge any culture… unless it’s that of rural (particularly southern), conservative America (which they stereotype in ways that are generally unfair). Since they associate country music with this culture, they hate it, even while they’re unable to bring themselves to say that it’s their own inherent culturism that causes them to do so.
- I thought about just picking one of my old albums at random, but realized that, since I would have avoided any of the items he mentions above, that would’ve self-selected away from his stereotypes, even if they had been true [↩]
